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“Yellow paper and a red pen.” That’s what she said. “Write with a pencil,” he said, “it’s smoother on paper.” Write what comes to mind as it comes to mind, that’s what I imagine Virginia would’ve said. A stream of consciousness is what is there for you to see, to know, to understand perhaps. Hills or oceans it doesn’t matter. Life changes in the instant, the ordinary instant.
Fear comes and then goes as if it has never existed.
Attacking with all its might, with all our might. And what is there that might
happen then? A question to never be answered but with a reckless soul going,
simply, straight and fast.
Losing something, scraps of information here and there in
the rhymes of words and paragraphs. In hills and wooden chairs lying on some
random beach. Wood is killed by the waters, and that is why it is the most
natural place for it to be. Low notes cover the entry to Eve’s Garden, at the
gate of eternity; they cover our eternity. And the end would anyways
pursue the dead.
Death is all within life. “And what is death and what is life?”
I hear you asking the waiter handing you that large cup of americano.
People come and go, and they have indeed existed. Moments
come and go, and no one knows which is which.
At the end of the world, there lie you and I (who is the “you”
and which is the “I”?) guarding the gate to eternity that its only beginning it
its very end. Nobody else would be there to watch, to supervise, to instruct.
Continents would merge, oceans would evaporate, and the hills would continue
turning into babies in their mothers’ wombs.
No songs would be played. No home, no land, no blood
scattered on the floor. And fear hits, hits hard and strong like it has never
done; like it has never existed; like it has always been longing for existence.
Lights would blind the souls., every soul would be shattered at fear’s
immersing sound. High notes would have never been existent before. Life has
never been around. And death? Death is all within life.
Neither you nor I would be there. There is no one guarding
the door to eternity or that leading to the end. No one would be staring at the
skies above. Skies are no longer here, there only remain the clouds. An the
clouds are self-sufficient not asking anybody to look after them or detect
their marvelous shapes they have so much playing with.
Life will haunt us down, kill us slowly and with the same
speed, fear will continue eating every inch of your soul up. No one is here,
only the empty space, the void that is your soul as you finally are able to see
it in its true colors: colorless and defeatless. The winner captures all, and
today, it is only photographs of past memories.
Going fast as rain drops after a foggy day. But aren’t you
always foggy, my dear? A vast, empty, white-colored room with no one in sight,
not even your own self. But slowly, with the same pace as of fear, you see
yourself shimmering through. Then figure, with the sight of you and I at
eternity’s gate, that fear comes and goes, and no one seems to figure if it
even has, ever, existed.
Oceans return to their true colors. Hills keep on playing
their hill part. Continents go on separating between people. And you leave at
11:30 to catch the midnight bus.
Circles. Circularity of speculations made about the here and
there. On repeat plays the same low noted rhyme. You’ve heard it before. It is
undoubtedly familiar, like your mirror years ago. Bundling up in your own skin
you hide. Because this time you saw it coming. And I hope, just hope, that next
time you’d hurry to the gate leading to the nowhere, our nowhere, because it is
neither eternity not the end that is ours, my dear. We belong nowhere, and
everywhere all at once. Because it is not the place that is ours, nor is time
as well.
Life will haunt us down, kill us slowly, and with a speed a
bit faster, I would run to the nearest ocean, or if I’m lucky, to the nearest
hill. I’d throw myself on that wooden chair that so stubbornly knows where it belongs,
or throw myself on the steep rocks covering the top of the world. I would look
up to the clouds and wonder where the skies had gone.
In silence, I would remember your soul (soul, what soul?).
And as my last act of despair, I’d summon up my heavenly spirits and resurrect
it. I’d kiss it gently and lie on the rocks next to it. We’d hold each other’s
hands, and watch the end of the world together, where it all turns into a
shapeless, colorless void. And then, only then, we’d win the guarding role of
eternity’s gate.
inspirational song(s):
On the Sea - Beach House
I Know How to Speak - Manchester Orchestra
Angela - Flower Face
Empty Note - Ghostly Kisses
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